Starz has set its June 2026 lineup, putting the fifth and final season of Power Book III: Raising Kanan at the center of a month that also brings the premiere of The Listeners and the final episode of Amadeus on Friday, June 5, 2026.
The network said new episodes of Raising Kanan will stream in the U.S. weekly on Fridays, while The Listeners will debut the same day and continue releasing episodes throughout June. Amadeus will also be available in the U.S. only on the Starz app and all Starz streaming and on-demand platforms, with its finale landing on Friday, June 5. The month also includes Dreams, which will stream exclusively on the Starz app and all Starz streaming and on-demand platforms.
On the film side, Starz is adding the exclusive premieres of The Strangers: Chapter 3 and I Can Only Imagine 2. The latter features Milo Ventimiglia and Sophie Skelton, who is best known to many viewers from Outlander. That mix gives the service a schedule that leans on both established franchises and new arrivals as it heads into summer.
For Raising Kanan, the June rollout marks the end of a run that has tracked Kanan Stark across four previous seasons. The finale month matters because it gives the series a fixed endpoint rather than another open-ended renewal cycle, and because the streaming release keeps the show anchored in a weekly cadence just as viewers are reaching the end of the story.
Amadeus brings a different kind of close. Set in 18th-century Vienna and centered on Wolfgang Mozart, Constanze Weber and Antonio Salieri, the limited series turns on a rivalry that spans 30 years in the show’s description. Its finish on June 5 gives Starz a rare same-week handoff between a historical drama ending and a crime saga entering its last season.
That is the tension inside Starz’s June slate: the service is not just stacking premieres, it is using the month to clear space for endings. The question now is not whether the schedule is full, but whether the final stretch of Raising Kanan and the end of Amadeus can hold the audience long enough to make those exits feel like events rather than deadlines.
